It’s been a while since I accepted a book to review – life has been incredibly busy over the last year! – but I just couldn’t resist the opportunity to dive into Shorelines by Ruth Ennis.
The lovely people at TheWriteReads described this book as a reimagining of HC Andersen’s ‘The Little Mermaid’.
This YA fantasy novel in verse follows Muireann’s story.
| Between a dying ocean and a divided world, a mermaid must choose between the sea that made her and the surface that might break her – in this stunning novel in-verse. Muireann is a mermaid – fierce, curious, and proud of the body that keeps her warm beneath the waves. But life in the ocean is becoming impossible. The merfolk are at war with climate change that has ravaged the sea: food is scarce, and her twin sister was killed in a mass-fishing net. With her mother lost in grief and her world falling apart, Muireann dreams of escaping to the surface. But the human world isn’t the haven she hoped for. It’s colder, crueler – and here, her large body is seen not as strength, but as something to be ashamed of. Muireann must find her voice and decide where she belongs – beneath the waves, or above them. |
Firstly, I love that Muireann is fat; that all the merfolk are. It feels so incredibly logical, given the survival mechanisms of marine mammals. I also love how strong her voice is – when I read novels in verse, I often find that if they’re told in first person, the poetry sort of overrides the sense of the character. That doesn’t happen at all here.
I love the layout of the poetry – the way that words and shapes interact. Here are a couple of examples that I thought were especially wonderful;
and
In particular, this following poem really stood out to me. The alignment of the paragraphs to portray a conversation is so clever! No need for quotation marks, disrupting the very clean aesthetic of the verse that’s upheld throughout.
That said, the layout can get a little challenging at times. I found the following segment took a few reads before I figured out how it was intended to be read (i.e. bottom to top… I think). I wouldn’t necessarily want to change the format – I think it works so well as part of the metaphor of Muireann rising to the surface – but I might have liked an illustration that led the eye on this page, or at least something as a visual clue for where to start.
I think in general, that would be my main criticism of the book – the illustrations are beautiful and fit the tone fantastically, but I think there could have been a little more cohesion in how they were used.
It’s a minor point though, and it’s really all I’ve flagged as I read the book. I would still – and have already – recommend this to friends and family. As ever, I don’t really believe that children’s books should be confined to being read by children only, so I’ve sent links to this to numerous adult friends. It really is a spectacular offering in the ‘fairytale retellings’ genre. Along with Cinder House by Freya Marske (Cinderella), it’s possibly my absolute favourite.
A note on the ending: This book follows the HC Andersen version of The Little Mermaid, not the Disney one. It does so beautifully, I might add, and as someone who spent a lot of time at university studying Andersen, there’s a sense of ‘Finally!’ to this ending for me. I do understand, though, that not everyone is a lover of the bitter-sweet, so I do think it needs saying.
I would love to hear your thoughts on the different endings to The Little Mermaid, and I would love to hear of any other particularly good fairytale retellings you know of! Comments are always lovely, and it’d be great to chat books with people! Alternatively, you can find me over on Bluesky 🙂
Much love!
Fran xx
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THE INQUISITIVE NEWT 