Shorelines by Ruth Ennis 

It’s been a while since I accepted a book to review – life has been incredibly busy over the last year! – but I just couldn’t resist the opportunity to dive into Shorelines by Ruth Ennis.

The lovely people at TheWriteReads described this book as a reimagining of HC Andersen’s ‘The Little Mermaid’.

This YA fantasy novel in verse follows Muireann’s story.

Between a dying ocean and a divided world, a mermaid must choose between the sea that made her and the surface that might break her – in this stunning novel in-verse.

Muireann is a mermaid – fierce, curious, and proud of the body that keeps her warm beneath the waves. But life in the ocean is becoming impossible. The merfolk are at war with climate change that has ravaged the sea: food is scarce, and her twin sister was killed in a mass-fishing net. With her mother lost in grief and her world falling apart, Muireann dreams of escaping to the surface.

But the human world isn’t the haven she hoped for. It’s colder, crueler – and here, her large body is seen not as strength, but as something to be ashamed of. Muireann must find her voice and decide where she belongs –  beneath the waves, or above them.

Firstly, I love that Muireann is fat; that all the merfolk are. It feels so incredibly logical, given the survival mechanisms of marine mammals. I also love how strong her voice is – when I read novels in verse, I often find that if they’re told in first person, the poetry sort of overrides the sense of the character. That doesn’t happen at all here.

I love the layout of the poetry – the way that words and shapes interact. Here are a couple of examples that I thought were especially wonderful;

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In particular, this following poem really stood out to me. The alignment of the paragraphs to portray a conversation is so clever! No need for quotation marks, disrupting the very clean aesthetic of the verse that’s upheld throughout.

That said, the layout can get a little challenging at times. I found the following segment took a few reads before I figured out how it was intended to be read (i.e. bottom to top… I think). I wouldn’t necessarily want to change the format – I think it works so well as part of the metaphor of Muireann rising to the surface – but I might have liked an illustration that led the eye on this page, or at least something as a visual clue for where to start.

I think in general, that would be my main criticism of the book – the illustrations are beautiful and fit the tone fantastically, but I think there could have been a little more cohesion in how they were used.

It’s a minor point though, and it’s really all I’ve flagged as I read the book. I would still – and have already – recommend this to friends and family. As ever, I don’t really believe that children’s books should be confined to being read by children only, so I’ve sent links to this to numerous adult friends. It really is a spectacular offering in the ‘fairytale retellings’ genre. Along with Cinder House by Freya Marske (Cinderella), it’s possibly my absolute favourite.

A note on the ending: This book follows the HC Andersen version of The Little Mermaid, not the Disney one. It does so beautifully, I might add, and as someone who spent a lot of time at university studying Andersen, there’s a sense of ‘Finally!’ to this ending for me. I do understand, though, that not everyone is a lover of the bitter-sweet, so I do think it needs saying.

I would love to hear your thoughts on the different endings to The Little Mermaid, and I would love to hear of any other particularly good fairytale retellings you know of! Comments are always lovely, and it’d be great to chat books with people! Alternatively, you can find me over on Bluesky 🙂

Much love!

Fran xx

I’ve set up a ‘bookshop’ of sorts, over on Bookshop.org, so that I can point you to somewhere to buy that isn’t Amazon. I get a small commission for any sales made there. This helps to support me running this blog. If you’d like to get your copy of Shorelines this way, please just click here. If you’d like to support the running costs of this website without buying a book, you can do so here. Thank you.

The Girl Who Talked to Trees by by Natasha Farrant and Lydia Corry 

This is a gorgeous concept-album of a book. Following the story of Olive, The Girl Who Talked to Trees by by Natasha Farrant and Lydia Corry, is about the life of an oak across the ages, but also about the other trees close by.

When ‘her’ oak is threatened with removal, Olive sends out a wish, hoping to figure out how to save it. In her dreams, the trees begin to tell her tales of their lives across time – a series of self-contained, yet interconnected short stories which cover the mythology and facts about different types of trees. On waking, Olive uses these tales to advocate for her oak, and ultimately save it.

The connection between people and the natural world is beautifully explored in this book, not just in the present day, but also across history. The differences between how people treat some kinds of tree compared to others is also touched upon, as is the way we conceptualise the forest, verses individual trees.

I actually listened to this as an audiobook, so wasn’t aware how beautifully illustrated the physical copy is. Researching for this post, though, led me to some photos of amazing full colour illustrated spreads, and I think I might have to invest in my own copy. It was amazing to listen to this book, but I’d like to be able to enjoy the glorious artwork too.

This is a rare look at the very personal side of felling trees, and the way in which individuals interact and form relationships with single plants. It reminds me of a line from Oak and Ash and Thorn, by Peter Fiennes where he asserts that whilst Britain loves trees, we’re afraid of the woods. That really plays out here, across the series of short stories.

If you’d like more books on nature, the environment, plants, or the climate crisis, there’s a short list here. Hopefully I’ve included something for everyone:

Terra Electrica (Middle Grade)
Global (Graphic Novel)
Feast of Ashes (Young Adult)
This Book is Not Rubbish (Non-fiction)
Ruby Nettleship and the Ice Lolly Adventure (Picture Book)
Plant the Tiny Seed (Picture Book)
We Travel So Far (Picture Book)
A Swift Return (Picture Book)

What are your favourite nature books for children? Do you know of any others told in this short-story format? As always, I would love to hear your recommendations! ❤

Fran xx

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I’ve set up a ‘bookshop‘ of sorts, over on Bookshop.org, so that I can point you to somewhere to buy that isn’t Amazon. I get a small commission for any sales made there. This helps to support me running this blog. If you’d like to get your copy of The Girl Who Talked to Trees this way, please just click here. Thank you for your support.

Global by Eoin Colfer, Andrew Donkin and Giovanni Rigano

Comics have had a lot of bad rep over the years, but hopefully as a society, we’re coming to recognise how important they are as a reading medium. Comics require reading skills, of course,* but they also require a visual literacy that translates wonderfully to the critical reading of advertisements. As someone who has always loved the medium, I’m really thrilled to see graphic storytelling being treated with increasing respect, and being employed for increasingly important topics.

This incredible graphic novel, Global, follows the lives of two children – one impacted by melting ice, the other by flooding land. Eoin Colfer, Andrew Donkin and Giovanni Rigano have done an absolutely amazing job of communicating the climate crisis in a personal, sympathetic, and beautiful way.

I found the afterword particularly affecting; throughout the book I felt as though I was reading about a point in the near-future, a time that was coming if we continue to do nothing. But the afterword made it clear that these were events were taking place in the present. The sheets explaining climate change following this were also fantastic, and really made the information accessible.

As someone who’s just coming out of a degree and so is used to citing everything, I also appreciated that this book had employed a research consultant (Vivien Francis). This is – sadly – not as common as you might think in non-fiction books, so to see it in a fictional work was particularly nice.

And for those, like my youngest, who might be concerned about the fate of the dog in this book, I’m happy to report that the dog is still alive at the end.

Overall, this is a fabulous book for humanising the climate crisis, and for engaging empathetically with the world around us. The two very different plots really help to bring home how multifaceted an issue this is, while still working within such a visual medium; comics don’t give you a lot of space for footnotes, or whole paragraphs dedicated to exposition, so this was such a clever way of exploring the interconnectedness of environments across the earth.

Of the various children’s books I’ve read which touch on climate change/the environment, this is by far the one I’ve liked best so far. If you’d like to investigate others, check out:
Terra Electrica (Middle Grade)
Feast of Ashes (Young Adult)
This Book is Not Rubbish (Non-fiction)
Plant the Tiny Seed (Picture Book)
We Travel So Far (Picture Book)
A Swift Return (Picture Book)

What are your favourite books about the environment and climate change for children? I would absolutely love some more recommendations!

Fran xxx

I’ve set up a ‘bookshop‘ of sorts, over on Bookshop.org, so that I can point you to somewhere to buy that isn’t Amazon. I get a small commission for any sales made there. This helps to support me running this blog. If you’d like to get your copy of Global this way, please just click here. Thank you for your support.

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* If you’re not familiar with reading comics, I’d recommend conceptualising them as reading a play with images instead of stage-directions. And if you’re unfamiliar with plays, do yourself a huge favour and go and read The Importance of Being Earnest – it’s free on Project Gutenburg! It’s Oscar Wilde’s greatest gift to theatre kids the world over.